In September 1976, Commentary printed the letters of three novelists who had taken umbrage at appraisals of their work, in a previous issue, by a relatively unknown Yiddish professor named Ruth Wisse. Cynthia Ozick, the most fervent of the respondents, judged Wisse guilty of a “fundamental (and, for a good reader, unforgivable) critical error”: confusing literature with sociology.

This old contretemps bears recalling less for its substance — authors and critics have bickered about the relationship between fiction and life for centuries — than for what it reveals about Wisse’s personality. (more…)

The other essay, on Will Eisner and Jules Feiffer, appears in The Jewish Graphic Novel: Critical Approaches, edited by Ranen Omer-Sherman and Samantha Baskind, and published by Rutgers University Press. It’s called “‘Wanna Watch the Grown-Ups Doin’ Dirty Things?’: Jewish Sexuality and the Early Graphic Novel.”

Publishing a literary masterpiece can be a little like creating a golem, it seems: first you’re just proud you were able to create it, then you’re astonished to see how powerful it becomes, and then, suddenly, you’re scared you can’t control it. That’s been Art Spiegelman’s experience, at least, with Maus, one of the finest comic books ever printed and among the great literary achievements of the past quarter century. One panel of Portrait of the Artist as a Young %@&*! – a recent series of Spiegelman’s brief autobiographical comics – makes this clear: “It’s no use…,” Spiegelman’s avatar says, glancing back at a monolithic mousy representation of his father: “No matter how much I run I can’t seem to get out of that mouse’s shadow.” (more…)

Think of it this way: if you pay the cover price for Etgar Keret’s newly translated collection of stories, The Girl on the Fridge, you’ll be shelling out approximately 25 cents for each of the 46 fictions included. Some of them aren’t much longer than a paragraph, true, and some you’ll forget by the time you turn a page, but what do you expect for a lousy quarter, especially in this rotten economy? If even a handful of the stories haunt you, shake you, throw you for a loop—and they will—you’ll feel like you’ve won the literary lottery. (more…)

Going Global:
The Word-Wise Adventures of Yisrael and Meir: Book One
By Yitzchok Kronblau
Illustrated by Ruth Beifus
80 pages. Arscroll/Mesorah. $24.99.

Trekking Through Time:
The Word-Wise Adventures of Yisrael and Meir: Book Two
By Yitzchok Kronblau
Illustrated by Ruth Beifus
104 pages. Arscroll/Mesorah. $24.99.

Like many comic-book adventure series, The Word-Wise Adventures of Yisrael and Meir begins with a call to save the world. One morning, an Orthodox Jewish kid discovers a way to eliminate pain and suffering. According to a teaching of the Chofetz Chayim, a.k.a. Rabbi Yisrael Meir Kagan, “Every single day we wait for Mashiach to come, but—do you hear this—he is being held back because we are speaking loshon hora!” The Messiah, that is, won’t show up until Jews stop breaking the commandments related to improper speech.

The boy and his younger brother set out to make this happen, and though they haven’t been struck by radiation, or empowered by the rays of the sun, or descended from aliens, and though they don’t sport capes or unitards, these boys are clearly the author’s and publisher’s idea of Jewish superheroes. (more…)