Gary Shteyngart’s Absurdistan is the hilarious tale of Misha Vainberg, the obese son of one of Russia’s wealthiest men, and his exploits in a decrepit post-Soviet republic. Before being blown up by a landmine himself, Misha’s Beloved Papa, a passionate Zionist and decidedly non-traditional entrepreneur, murdered an American businessman, and so the American government is refusing to readmit Misha, even though he is a proud alumnus of Accidental College, a Midwestern temple of the liberal arts. Stranded in St. Petersburg and pining for his Bronx-raised girlfriend, Rouenna, and his Upper West Side analyst, Dr. Levine, Misha zips down to Absurdistan in the hopes of finagling a passport that will get him back to Manhattan. A comedy of errors ensues, of course, and the book is not only laugh-out-loud funny on nearly every page, but also a poignant exploration of our increasingly globalized, and increasingly absurd, world.

A couple of days after his punim graced the cover of the New York Times Book Review, and just before he set off on a coast-to-coast publicity tour, I sat down with the author to discuss the new book, his imaginary friends, and—what else?—the future of the Jews. Appropriately enough, we met for a drink in Shteyngart’s neighborhood, Manhattan’s Lower East Side, in a dim hipster bar surrounded by Asian grocery and hardware stores, and catercorner from the grand old Forward Building, now being transformed into high-rent condos but still bearing the busts of Marx and Engels on its façade. Recent immigrants, a healthy dollop of Jewish history, Communist icons, more than a whiff of the East in the air: this is the territory Shteyngart has staked out as his own, and it is as much the homeland of his globe-trotting fiction as Newark is for Philip Roth’s. The following are some excerpts from our conversation. (more…)

Like her prize-winning debut novel, “In the Image” (W. W. Norton & Company, 2002), Dara Horn’s remarkable second work spans generations, continents and languages. “The World To Come,” which will be published in January 2006 by W.W. Norton, centers on former child prodigy Ben Ziskind and his twin sister, Sara, who live, love, mourn and steal art in contemporary New York. Tracing the mysterious provenance of a Marc Chagall painting, the book also relates the real-life tragedy of the Yiddish writer known as Der Nister (the Hidden One), who was murdered by the Soviets before completing his masterpiece. Horn recently discussed the new book with Josh Lambert, who reviews contemporary Jewish fiction for such publications as the Forward, the San Francisco Chronicle and Canada’s Globe and Mail, among others. (more…)

The Hebrew Hammer isn’t the only Jew in a frock coat and a black hat meting out justice this winter. In fact, next to the Weiss brothers, lieutenants in San Francisco’s turn-of-the-century Jewish mob, the Hammer looks like a bit of a nebbish.

The brothers are the heroes of “Market Street,” the first story arc in “Caper,” a new monthly series published by DC Comics. “Market Street” will wrap up in the February and March issues of “Caper” and will be followed by two more four-issue arcs, written by Judd Winick and drawn by different artists. Varied in tone and setting, the tales are loosely linked through family connections between characters, and revolve around double-crosses, heists and various criminal misadventures. (more…)