Gabrielle Zevin’s novel Tomorrow, and Tomorrow, and Tomorrow has done just fine for itself, thank you: Since it was published in July, it has made several bestseller lists, the film rights sold at auction for $2 million, and over the next year it’ll appear in about 20 languages. Plus The Atlantic just picked it as one of its top 10 “most thought-provoking books” of the year. (more…)
Though I’ve read Elif Batuman’s novel Either/Or, which recently made The New York Times’ “Notable Books” list for 2022, I can’t tell you whether it’s any good. It’s a novel set at a place and time so drenched in my own memories and regrets—the college I went to, one year before I got there—that I had to give up any hope of evaluating it. (more…)
[Professor and literary critic Josh Lambert serves as a judge for two major prizes for American Jewish literature, meaning he reads as many new American novels by and about Jews as possible each year. In this annual column for Jewish Currents, he reflects on some of the previous year’s most compelling works of fiction that might be considered “Jewish” in one way or another, and what patterns emerged in this reading.]
AS IS OFTEN THE CASE, the new fiction I read over the past year seemed like a slow-motion echo of the news from half a decade ago: not ripped from the headlines, exactly, but carefully cut out, collaged in a scrapbook, meditated upon, and transformed. A number of novels and short story collections released in 2021 deal with gender and sexuality in ways that feel decidedly post-2016. Not coincidentally, this was a year in which scholars began dropping #MeToo into titles and subtitles, and a young philosopher’s exploration of “feminism in the 21st century” was a bestseller. (more…)